{"id":1625,"date":"2014-11-11T13:47:23","date_gmt":"2014-11-11T13:47:23","guid":{"rendered":"http:\/\/www.aber.ac.uk\/devolvedvoices\/?page_id=1625"},"modified":"2018-04-19T16:30:58","modified_gmt":"2018-04-19T15:30:58","slug":"interview-zoe-skoulding","status":"publish","type":"page","link":"https:\/\/wordpress.aber.ac.uk\/devolved-voices\/media\/interview-zoe-skoulding\/","title":{"rendered":"Interview: Zo\u00eb Skoulding"},"content":{"rendered":"

\"\"Zo\u00eb Skoulding is a poet, translator, editor and critic. She has published four collections of poetry, most recently The Museum of Disappearing Sounds <\/em>(Seren, 2013), shortlisted for the Ted Hughes Award for New Work in Poetry, and Remains of a Future City<\/em> (Seren, 2008). She has performed her work at many international festivals, often incorporating electronic sound in her readings as well as collaborating with musicians. Her monograph Contemporary Women’s Poetry and Urban Space: Experimental Cities<\/em> was published by Palgrave Macmillan in 2013, and she was editor of Poetry Wales 2008-2014. She is Senior Lecturer in the School of English at Bangor University.<\/p>\n

Zo\u00eb Skoulding’s website<\/a><\/p>\n

Bibliography<\/strong>:
\nTide Table<\/a> <\/em>(Gwasg Pantycelyn, 1998) ISBN 9781874786795
\nThe Mirror Trade<\/a><\/em> (Seren, 2004) ISBN 9781854113665
\nDark Wires<\/a><\/em> (with Ian Davidson) (West House Books, 2007) ISBN 9781904052203
\nFrom Here<\/a><\/em> (with Simonetta Moro) (The Dusie Kollectiv, 2008) ASIN B00A46LITM
\nRemains of a Future City<\/a><\/em> (Seren, 2008) ISBN 9781854114754
\nThe Museum of Disappearing Sounds<\/a> <\/em>(Seren, 2013) ISBN\u00a09781781720714<\/p>\n